Tag Archives: beyonce

Black Women Are Dominating the Covers of 2018 September Issues

This week it was announced that eight black women would appear on the cover of several magazines’ prestigious September and fall issues, apparently marking the first time that this many black women have received the honor in the same year.

Beyoncé, Rihanna, Tracee Ellis Ross, Issa Rae, Tiffany Haddish, Zendaya, Slick Woods, and Princess Nokia each graced the covers of international and local editions of Vogue, Elle, Ebony, Marie Claire, and LadyGunn, to name a few.

The individual September covers each featured a star-studded mix of black female comedians, musicians, and models. Having already graced the cover of Time magazine and Essence, comedian Tiffany Haddish made her first September cover debut with Glamour magazine. Fellow comedic actor and cover-star veteran Tracee Ellis Ross was all smiles on the cover of Elle Canada. Ahead of Insecure’s season three premiere on August 12, Issa Rae appeared on the cover of Ebony magazine’s September issue to discuss producing and writing her hit HBO show.

Beyoncé and Rihanna each graced a Vogue cover of their own: Beyoncé’s highly buzzed-about American Vogue September cover was finally revealed Monday to much acclaim. Not only did her appearance on the cover help make history for black women, but she also added to that by helping pick the first black photographer to ever shoot a cover of American Vogue. Rihanna also made quite the statement on her cover of British Vogue with a bold makeup look that consisted of a thin-lined eyebrow, light smokey eye, and dark glossy lipstick. She was also the first black woman to cover a September issue of British Vogue. Both Beyoncé and Rihanna donned a flower crown for their respective covers, in addition to rapper Princess Nokia, whose floral crown was front and center for her LadyGunn fall cover shoot.

Zendaya and model Slick Woods were the youngest out of the group to appear on September covers. Zendaya stunned on the cover of Marie Claire in a messy beehive hairstyle ahead of her upcoming Drake-produced HBO show, Euphoria. The U.K. edition of Elle tapped a currently pregnant Slick Woods to discuss her success as a Fenty Beauty model.

Despite this major fête, black women are still incredibly underrepresented inside and on the covers of major publications. Several black models have spoken up recently about facing discrimination at castings, making it hard for them to appear in fashion magazines, let alone on the cover of the most important issues of the year. However, following the clear social media success that all eight cover shoots have received, it would appear that there is a great deal of demand for black women on the cover — yet, still not enough opportunity.

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Beyonce Buys $800,000 Church in New Orleans

According to reports, Beyonce recently purchased a rather large church in New Orleans. The church is said to be about 7,500 square feet. Although it is unclear how much she actually paid, the facility was listed at $850,000.

The church was reportedly built in the early 1900s. It has not been in use in recent years due to a number of it’s members passing away. Her plans for the building are not yet known but it can potentially facilitate single and multi-family apartment homes or be renovated and kept as a church.

Beyonce’s sister Solange and her husband reportedly live near the church. The purchase kicks off what will be a busy summer For Queen Bey. She’d also heading out on the On The Run II tour along with husband Jay-Z.

It’s been reported that Destiny’s Child will also be joining her on tour. She definitely gives her fans their money’s worth when she hits the stage stage. So I f you can’t make it to the “church of Beyonce,” I imagine a concert is the next best thing.

 

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Beyonce Brings Out JAY-Z and Destiny’s Child for Historic Coachella Headlining Set

After postponing 2017’s headlining Coachella slot due to her pregnancy with twins, Beyoncé made a historic return to the main stage to close out the second night (April 14) of the festival in Indio, Calif.

Prior to what would ultimately turn out to be a new career-defining peak, rumors swirled that the pop megastar would reunite Destiny’s Child and bring out 100 dancers to back her up. And just hours before performance began, she took to Facebook to shout out her fans, and let them know to get in formation during the hour intermission before the games began.

“I am so excited to see the BeyHive tonight at Coachella,” she wrote. “We have been working hard and have a special show planned for you so please be safe and stay hydrated. We need your energy! There will be an hour intermission before my performance, so mark your spot, charge your phones, grab your drinks. Can’t wait to see y’all at 11:05pm!”

The speculation and rumors were accurate: Not only did Beyoncé reach a new creative peak, but she did it all while making it look effortless. Throughout a ceaseless two-hour set, the pop icon took the swelling Coachella crowd back to the days of feverish high school pep rallies and college homecomings. On stage, a tiered set of bleachers scraped the sky as a brass band and dozens of dancers backed what was indisputably the weekend’s most stunning performance, with guest appearances from a reunited Destiny’s Child (for a series of their classics), as well as cameos from her husband JAY-Z and sister Solange.

Most importantly, though, Beyoncé made history, not just in her own career — turning her music and performance into high art — but at the festival, which is now in its 19th year. “Coachella, thanks for allowing me to be the first black woman to headline,” she said before bringing out Kelly Rowland and Michelle Williams. “Ain’t that ’bout a bitch?”

Even by Beyoncé’s standards, the show went above and beyond. It was impeccably choreographed, designed and directed, right down to the minute details — Bey tapping her fingers across her knees in time to the beat on “Partition,” the exact dance moves done for her rendition of “Baby Boy,” the little teases of hits from the past as songs segued from one to the next.

“This is a very important performance for me,” she told the crowd between “Sorry” and “Bow Down/I Been On.” “I’m happy to be back home on the stage tonight.”

But above all, Beyoncé did it without breaking a sweat, an almost superhuman feat. Whether she was soaring over the crowd during “Drunk in Love,” or hitting micro-choreographed dance moves with the best backup dancers available while growling, “Suck on my balls” during “Sorry,” she proved that she’s truly pushing her art form forward, in both creative scope and the breadth of music she’s recorded. It was invaluable context, even, to get glimpses of her roots throughout the performance, whether Bey was singing with JAY-Z for “Déjà Vu,” dancing with Solange for the extended version of “Get Me Bodied,” or traipsing through her Destiny’s Child days with Rowland and Williams as if the chemistry had never wavered.

Of course, when it comes to Beyoncé, nothing ever wavers. Not only did the Queen set a new standard for herself at Coachella, but she set a standard for the entire festival and its future marquee performers — not just as the first black woman to headline the fest, but as an artist whose creative prowess will continue to be nearly impossible to match.

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Bruno Mars Sweeps Major Categories At 2018 Grammy Awards Facebook Twitter Flipboard Email

In a year when the nominees were more eclectic and adventurous, the safe bets prevailed at the 60th Grammy Awards.

All of the night’s most coveted awards went to Bruno Mars, for his funk-infused 24K Magic, which won Album of the Year, and the songs “24K Magic” and “That’s What I Like,” which won Record and Song of the year, respectively. Mars cleaned up in four other categories as well: Best R&B Performance, Best R&B Album, Best R&B Song and Best Engineered Album, Non-Classical, making him the year’s most decorated artist.

The night started out looking like it could go in a different direction. After new nomination review committees were implemented in June 2017 for the fields of rap, contemporary instrumental and new age to diversify the nominee pool, hip-hop vet Jay Z walked into the Garden with the most nominations of any artist. Although he was awarded the Industry Icon Award before the televised awards, he lost all eight Grammys for which he was nominated. In the hip-hop categories, all four of those losses came at the benefit of Kendrick Lamar, who started the evening as the second-most nominated artist. His poetic yet pop-appeasing fourth studio album, DAMN. (which was named NPR Music’s best album of 2017), won five awards but lost two of the night’s three biggest prizes to Mars.

“You guys are the reason I’m in the studio pulling my hair out,” Mars said to his competitors in the audience when accepting the award for Album of the Year. That speech capped a night when Mars managed a rare sweep of the major awards, a feat also accomplished last year, when Adele beat Beyoncé — Jay Z’s wife — in each of the major categories.

There were numerous nods to the East Coast location of New York City at this year’s ceremony. The 2018 awards marked the first time in 15 years that the Grammys have been held in New York, and there was plenty of star power packed into Madison Square Garden. But while the location may have been touted as historic, there were plenty of missed opportunities to make actual Grammy history.

If Luis Fonsi and Daddy Yankee’s smash hit “Despacito” had won Song or Record of the year, it would have marked the first time a Spanish-language track won in either category. It lost in every category in which it was nominated.

R&B sensation SZA was the most nominated woman of the night but lost all five awards for which she was nominated, including Best New Artist, which was won by Alessia Cara.

While the unspoken theme at last year’s Grammys was timidly political, the elephant in the room this year dissolved early in the night into the form of dainty white roses, as many on the Grammys red carpet — Lady Gaga, Sam Smith, Lana Del Rey and more — wore flowers with their Grammy ensembles to show solidarity and compassion for victims of sexual harassment and the #TimesUp movement.

Though the nod to the movement organized by record executives Meg Harkins and Karen Rait was visible during the pre-show, it barely got any acknowledgement during the first half of the telecast. Lady Gaga was the only performer of the night to work the words “Time’s up” into her set. But past the midway point, before announcing a performance by Kesha, Janelle Monae took the moment to wave the flag of sisterhood.

“We come in peace, but we means business,” Monae said defiantly. “And to those who would dare try to silence us, we say, ‘Time’s up.’ … Just as we have the power to shape culture we also have the power to undo the culture that does not serve us.”

Then, for her emotional rendition of “Praying,” Kesha was joined on stage by Cyndi Lauper, Camila Cabello, Bebe Rexha, Julia Michels, Andra Day and the Resistance Revival Chorus. The moment was genuine, angelic and exultant, blowing away virtually every other performance of the night.

But when it came time to actually award Kesha’s efforts, the Grammys did not give her a prize in either Best Pop Solo Performance or Best Pop Vocal Album, the two categories in which she was nominated. In the former category, included on the telecast, her fellow nominees included Kelly Clarkson, Lady Gaga and Pink — all women who have sung about sexual assault or worked with Dr. Luke, the songwriter and producer accused by Kesha of abuse — as well as Ed Sheeran. The award was won by Sheeran, for his hit “Shape of You.”

Alas, dangling the carrot of more courageous Grammy winners above the nose of music fans proved to be yet another party trick.

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Beyoncé Writes Foreword To New Prince Book

Queen Bey has decided to open up about the tremendous impact Prince has made in her life. We have learned that Beyonce is the one who wrote the foreword to Prince: A Private View.

Beyoncé Writes Foreword To New Prince Book

The book is more like a photo album – a look into the legend’s life through the beautiful pictures taken by photographer and longtime friend of the artist, Afshin Shahidi.

As fans definitely remember, Prince sadly passed away in 2016.

Beyoncé Writes Foreword To New Prince Book

We are sure the news that the well-respected singer is penning the foreword to the special book will be well received as the words come from her heart and own experience of growing up with the icon’s music and getting inspired to follow his path towards greatness.

‘The word ‘icon’ only scratches the surface of what Prince was and what he remains to me,’ Beyonce stated.

Beyoncé Writes Foreword To New Prince Book

Prince: A Private View will be released this fall, on October 17 and we are very excited to purchase it.

 

SOURCE: CI

Beyoncé In Negotiations For “The Lion King”

It looks like Jon Favreau, the director of the live-action remake of The Lion King, may get his wish of Beyoncé voicing the future Queen of Pride Rock, Nala.

According to the Beyhive Team, a social media page and site that receives “exclusive” news regarding the entertainer, Beyoncé is reportedly in final negotiations to voice the lioness, and is also signing on to manage the film’s soundtrack.

Beyoncé In Negotiations For “The Lion King”

“Disney has reportedly agreed to pay a whopping $25 million to secure Beyoncé’s involvement with the project,” the post says. In addition to being the soundtrack’s producer, Bey will also curate and produce “African-inspired” and “tribal” recordings, in addition to producing updated versions of the movie’s beloved songs.

“The soundtrack will be released worldwide through Parkwood Entertainment & Columbia Records (SONY),” says the Beyhive Team.

Beyoncé In Negotiations For “The Lion King”

As for the validity of this report, fans need to take the site’s “breaking news” with a grain of salt. While TBHT has accurately reported some exclusive scoops about the superstar numerous times in the past, we will ultimately learn if Bey is voicing Nala when she announces it herself.

SOURCE: WWF